The walk on a recent warm Friday morning, billed as a journey “from trauma to fantasy,” attracted about 25 people, including a few parents pushing children in strollers. It was part of a citywide festival of “new public art” that tried to break the boundaries of galleries and theaters and reach people on the streets, preferably with audience participation.
At a prearranged meeting point, Atia — whose past work has included satirical videos on contentious social and political issues — materialized in a straw hat with a clip-on microphone, introducing himself as a tour guide named Ronen Matalon. He proceeded
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